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Opera review: Natalie Dessay reprises Lucia di Lammermoor at the New York Met Mary Zimmerman's new production of Donizetti's Lucia di Lammermoor which opened the 2007-2008 Metropolitan Opera season has not been received with universal enthusiasm by the opera going public. But it was a fascinating evening in the theatre, and Dessay's electrifying performance of a.
Read Article →Lyubov Petrova is an artist impossible to put in a box; as you’ll read, that’s just the way she likes it. An immensely gifted soprano with a knack for infusing her singing with a keen sense of storytelling, Petrova has an immensely varied opera history, from a smart, note-perfect Adele in Stephen Lawless’s 2003 production of Die Fledermaus at the Glyndebourne Festival to a raging Queen.
Read Article →Lucia di Lammermoor in Los Angeles (March 15, 2014) Lucia di Lammermoor in San Francisco (October 13, 2015) Lucia di Lammermoor in Marseille (February 6, 2014) Lucio Silla in Nice Lucrezia Borgia in San Francisco (September 26, 2011) Luisa Miller in San Francisco (September 16, 2015) Madama Butterfly in San Francisco (June 15, 2014) Madama Butterfly in San Francisco (November cast) Madama.
Read Article →Guest critic Niel Rishoi reviews the VAI DVD release of Lucia di Lammermoor. OK, this is IT. Barring the cuts, this is the Lucia of Gaetano Donizetti. Not that misguided travesty at the Met, not Natalie Dessay's vocally juddery overwoughtness. No schtick, no Carol Burnetting around. Just Donizetti and Cammarano's Romantic drama, pure and simple.
Read Article →Opera Chic took part in a very interesting experiment of sociology and musicology: she chose to check out Graham Vick's staging of La Clemenza di Tito at Teatro Regio di Torino on a Sunday afternoon, the perfect moment to examine the reactions of a most conventional, staid, in large part elderly, audience, when confronted by Tito as Mussolini, and I Century CE Rome teleported to 1923.
Hamlet Guide CD - Free download as PDF File (.pdf), Text File (.txt) or read online for free. Hamlet Guide.
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Orchestra and Chorus of the Metropolitan Opera were directed by conductor Fabio Luisi who did a good job but not without flaws. The two first acts were not thrilling, but things got better in the last two acts. Once again, the quality of the sound was bad occasionally. The Orchestra was not at its best and the trompet had a notorious failure at the bebinning of act one. The Chorus was.